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all i ever need instrumental is "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied..

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🎮 The girl thought an instant; then met the difficulty by adopting, as an amendment, the same tone. "As any danger of the ridiculous." "It's the sharpest thing I ever saw in my life!" They looked at each other with intelligence, in appreciation of the sharpness, and Owen quickly broke into a loud laugh. The laugh was in itself natural, but the occasion of it strange; and stranger still, to Fleda, so that she too almost laughed, the inconsequent charity with which he added: "Poor dear old Mummy! That's one of the reasons I asked for you," he went on—"to see if you'd back her up."!

🏆 Her relation with her wonderful friend had, however, in becoming a new one, begun to shape itself almost wholly on breaches and omissions. Something had dropped out altogether, and the question between them, which time would answer, was whether the change had made them strangers or yokefellows. It was as if at last, for better or worse, they were, in a clearer, cruder air, really to know each other. Fleda wondered how Mrs. Gereth had escaped hating her: there were hours when it seemed that such a feat might leave after all a scant margin for future accidents. The thing indeed that now came out in its simplicity was that even in her shrunken state the lady of Ricks was larger than her wrongs. As for the girl herself, she had made up her mind that her feelings had no connection with the case. It was her pretension that they had never yet emerged from the seclusion into which, after her friend's visit to her at her sister's, we saw them precipitately retire: if she should suddenly meet them in straggling procession on the road it would be time enough to deal with them. They were all bundled there together, likes with dislikes and memories with fears; and she had for not thinking of them the excellent reason that she was too occupied with the actual. The actual was not that Owen Gereth had seen his necessity where she had pointed it out; it was that his mother's bare spaces demanded all the tapestry that the recipient of her bounty could furnish. There were moments during the month that followed when Mrs. Gereth struck her as still older and feebler, and as likely to become quite easily amused. "You're not all right—you're all wrong!" Fleda cried in despair. "You mustn't stay here, you mustn't!" she repeated with clear decision. "You make me say dreadful things, and I feel as if I made you say them." But before he could reply she took it up in another tone. "Why in the world, if everything had changed, didn't you break off?"!

🔥 Download all i ever need instrumental Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach. Fleda hesitated; she felt herself reddening. "I've only said your son wants it. I haven't said I do."!🔥